Uncertain.
Hesitant.
It was what I felt after four years of working in the commercial dance industry. I was unconvinced that I was ready to be a professional dancer. Sure, I had a wonderful time throughout college working on a slew of jobs ranging from mini-tours with rising artists to television shows. But I saw my experiences more as fun and less as career building. I was uncertain I could adopt the unconventional lifestyle or adapt to the inconsistent job market. I was afraid to fail.
Thus was my dilemma when I graduated from college. Whereas a majority of my colleagues took an aggressive march toward their career goals by working for one of the "big four" firms (PwC, KPMG, Deloitte, Ernst & Young) and started collecting their high five figure starting salaries, I tip-toed toward an unknown future.
In limbo.
It was what my heart felt when I continued leading the double life of dancer slash _(fill in the blank)_. My position as PR Assistant at Versace allowed me to work during the day and to take dance classes at night. Between March and September 2012 I danced only when it was convenient, worked on dance jobs when I could take work off, and passed on opportunities if they conflicted with my job. It was fulfilling but unfulfilling at the same time.
Terrified.
It was what I felt when I discussed my resignation with my boss at Versace in September of 2012. I had just been offered the opportunity to dance in Nicki Minaj's Pink Friday Reloaded Tour, and rehearsals were starting immediately. It was impossible to be a PR Assistant on the road and unpractical for my boss to find a temporary replacement. So I had to make a choice: professional dance or PR.
I thought I could balance professionally dancing with a non-dance job; after all, I had succeeded for 15 years to balance dance with school. But the real world wasn't as malleable as I thought it would be, and without fully dedicating my time to dance I was like a sparrow trying to fly in a cage.
And I suppose it was comforting, having consistency in the form of a stable job on the agenda. But what's comforting is also sometimes what's most limiting. I needed to take a leap away from familiarity and control in order to begin fully realizing my potential as a dancer.
So to all the hesitant college graduates out there: don't let fear bind you. The sooner you take the leap, the sooner you'll open yourself up to the kinds of opportunities you've been dreaming of your whole life.
I thought I could balance professionally dancing with a non-dance job; after all, I had succeeded for 15 years to balance dance with school. But the real world wasn't as malleable as I thought it would be, and without fully dedicating my time to dance I was like a sparrow trying to fly in a cage.
And I suppose it was comforting, having consistency in the form of a stable job on the agenda. But what's comforting is also sometimes what's most limiting. I needed to take a leap away from familiarity and control in order to begin fully realizing my potential as a dancer.
So to all the hesitant college graduates out there: don't let fear bind you. The sooner you take the leap, the sooner you'll open yourself up to the kinds of opportunities you've been dreaming of your whole life.
One of my first shows on Pink Friday Reloaded in October 2012 |
On the Yeezus Tour in October 2013 |