Uncertain.
Hesitant.
It was what I felt after four years of working in the commercial dance industry. I was unconvinced that I was ready to be a professional dancer. Sure, I had a wonderful time throughout college working on a slew of jobs ranging from mini-tours with rising artists to television shows. But I saw my experiences more as fun and less as career building. I was uncertain I could adopt the unconventional lifestyle or adapt to the inconsistent job market. I was afraid to fail.
Thus was my dilemma when I graduated from college. Whereas a majority of my colleagues took an aggressive march toward their career goals by working for one of the "big four" firms (PwC, KPMG, Deloitte, Ernst & Young) and started collecting their high five figure starting salaries, I tip-toed toward an unknown future.
In limbo.
It was what my heart felt when I continued leading the double life of dancer slash _(fill in the blank)_. My position as PR Assistant at Versace allowed me to work during the day and to take dance classes at night. Between March and September 2012 I danced only when it was convenient, worked on dance jobs when I could take work off, and passed on opportunities if they conflicted with my job. It was fulfilling but unfulfilling at the same time.
Terrified.
It was what I felt when I discussed my resignation with my boss at Versace in September of 2012. I had just been offered the opportunity to dance in Nicki Minaj's Pink Friday Reloaded Tour, and rehearsals were starting immediately. It was impossible to be a PR Assistant on the road and unpractical for my boss to find a temporary replacement. So I had to make a choice: professional dance or PR.
I thought I could balance professionally dancing with a non-dance job; after all, I had succeeded for 15 years to balance dance with school. But the real world wasn't as malleable as I thought it would be, and without fully dedicating my time to dance I was like a sparrow trying to fly in a cage.
And I suppose it was comforting, having consistency in the form of a stable job on the agenda. But what's comforting is also sometimes what's most limiting. I needed to take a leap away from familiarity and control in order to begin fully realizing my potential as a dancer.
So to all the hesitant college graduates out there: don't let fear bind you. The sooner you take the leap, the sooner you'll open yourself up to the kinds of opportunities you've been dreaming of your whole life.
I thought I could balance professionally dancing with a non-dance job; after all, I had succeeded for 15 years to balance dance with school. But the real world wasn't as malleable as I thought it would be, and without fully dedicating my time to dance I was like a sparrow trying to fly in a cage.
And I suppose it was comforting, having consistency in the form of a stable job on the agenda. But what's comforting is also sometimes what's most limiting. I needed to take a leap away from familiarity and control in order to begin fully realizing my potential as a dancer.
So to all the hesitant college graduates out there: don't let fear bind you. The sooner you take the leap, the sooner you'll open yourself up to the kinds of opportunities you've been dreaming of your whole life.
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One of my first shows on Pink Friday Reloaded in October 2012 |
On the Yeezus Tour in October 2013 |